Saudi Arabia

Young women who had gathered around the famous Spanish guitarist Andres Segovia, he was asked to autograph. This swarm of Western towns left to fly over history from the ruins of the ancient world, has always been characterized by a dual form of life. The girl to whom I presented last night, spoke with my mother. The girl to whom I presented, spoke last night with my mother. The lady who fell at the stop where is hardware, was very rude with the driver. The lady who was lowered, at the stop where it is the hardware was very rude with the driver.

1.1.2. The procedural proposals introduced by the relative who (who) and which (which, which, which) are obligatorily explanatory when these relative go without preposition. When these links are accompanied by preposition, propositions will be like or explanatory according to the intention of the message (or the speaker). With others (with or without preposition) relating procedural propositions may be like or explanatory, according to the intention of the speaker. Examples of mandatory explanatory propositions with the relative who and e1 which: day laborer Ruiz, who missed yesterday, not claimed the full salary. Saudi Arabia, which produces much oil is in the Middle East. Loading was destined for the city’s Bay, which is on the coast Brazilian.

Discord, which never satiates tears, reveled at the sight of combat. That girl, which resolved the dilemma is very cunning. They, who do not know where I am going, are crazy to find out. When the relative that necessarily equates to the relativos which or who, adjectival proposition is explicativa and, therefore, should go between commas: Silvio, who had studied a lot, solved it within ten minutes. Moose, who is identified with Canada, frequents Lakes, where eats the grass that grows there. She, who is the daughter of the owners, doesn’t have to worry about.

The Park

Jorge was not worried about this and completed the equations. – Thanks a lot! Vicente was thankful, when Jorge finished. The man came back to keep the sheet of paper and extended the hand for the visitor. – Obliged and he comes back again when to want. The man folloied Jorge until varanda. – Which the way shortest I to arrive at the road? – The track of the left Catches and later the way of the right, it does not have as to make a mistake. Jorge moved away itself, following for the track. He followed thinking about Vicente.

Although the aspect rude, the man was instructed. First it received it with diffidence and when knowing who it was, became gracious and finally, he was anxious to see itself exempts of the visitor. It had something strange in the attitude of that man. Perhaps he was something related with the theory of Lacombe. The mathematical formula was to the side of the project of a machine. Now, that type of machine was and which the purpose, it was impossible to know. Passing for jatob, Jorge calculated that he was in the certain way.

Soon ahead it would be the bridge on the stream. A dry mist appeared suddenly. A cinereous cloud started to involve the park. Jorge estaked disoriented. It badly could enxergar the way. He felt marshy land under the feet. Again he had caught the wrong way. He came back stops backwards until finding the track. Now not wise person so that side if to direct. The visibility arrived at one five meters of distance, for beyond, only enxergava the gray color of the fog. A thunder sounded distant. Tired and annoying, Jorge recommenced to walk, without exactly knowing if he was if approaching or if moving away from the house way. It started to blow and the wind wasted the fog.

ISO Setting

Content and background of Compositionally I like to keep this type of photography uncluttered and simple as possible. And generally prefer to photograph on a white background (watch out for sharp shadows cast your Madeleine), and with minimal props. It would be advisable to include a glass of wine and at least from what usually happens on the table, if you’re going to photograph him. Shutter speed (speed gate) Another one of the options for getting more light camera is to use a long shutter speed.

Keep in mind, the longer the exposure, the greater the chance to catch any movements (as a model of fire from candles and camera movements). If the environment is completely immobile (fire on the candles do not flicker) and the model tries to be as fixed, set your shutter speed longer than 1 / 15 seconds – but still, do not overdo it, do not require the model too much. ISO setting is another way to compensate for the lack of light – to raise the value of ISO. Of course this has its drawbacks, the higher the value, the more noise (grain) in the photo.

Try not to put iso above 400, thus you minimize digital noise in photos (or grain when shooting on film). Exposition When candles are in the frame, then with high probability Automatic cameras will understate the exposure value, so that the candles were not solid bright spot. You can try to raise the exposure value, but the main thing here is not to overdo it.

The Text

Another one aggravation, ally to this constatao, verifies in the referring questions to the reading and the literal production. The claim of the lack of domain of the grammatical norms praised by the language standard and of literal strategies is unanimous. Beyond, as it is known, the argumentativa lack of legal capacity, of not the exercise of the formularization of ideas, concepts and proper opinions. We can also affirm that to read it means not to be only in what they say the texts, but to incorporate what they bring to transform our proper knowledge, developing it, of form that if improves beyond the knowledge, to know intrinsic to the social life. It can be read of superficial form, but also if it can interrogate the text, to leave that it considers new doubts, questions previous ideas and induces to think in another way. Compagnon defends that the reading has to see with empatia, projection and identification, fitting the reader to make its choices of readings, when these are imposed, it finishes for if having an imperfection in the interaction of the text with the reader, this, reading and interprets, only and mere, for obligation if not dedicating or abstracting from the text what it has of news. We verify that the paper of the reader, today ' ' it is free, bigger, independent: its objective is less to understand the book of what to understand itself exactly; by the way it cannot understand a book if it thanks to its does not understand proper livro' ' (COMPAGNON, 2003, P. 144), in this we verify the effectiveness of the reading in the formation of the criticidade of the reader, as well as a deep recognition of itself in its readings, abstracting from them what of essential it possesss for its personal and partner-cultural formation. Analyzing literature contemporary, we make possible certain concern with paper of the reader and as this interacts with the text, verifying as crucial the mediation and orientation of the professor and its strategies so that the reading is become fullfilled in efficient way.