The only personage who is not represented by these drawings is the Rocinante horse, that for being made of water and wind is transparent. Another moment where we notice the presence of the playful one is in the songs that they exist in way to history, songs that speak of sea, wind, and that they portray the moment that if passes between the personages. The Cigana personage assumes the heroine role, therefore she has the responsibility to take care of of a mysterious glass that is lost and that the sadness of the world contains all, it the search for all the places, and for this account with the contribution of a knight, this knight makes a metalanguage with the history of ' ' Dom Quixote' ' , one is about a knight who rides, with its horse of water and wind, the Rocinante, on waters of the sea, and this horse has, when the Cigana the sum, sound and marches as well as an automobile. As well as it is representing in pages 13 and 14: ' ' Cigana: Ui, ui, it walks of march the reverse speed! Knight: He hooks the first one! Cigana: The first one? Knight: Equal the automobile! You hook the first one if you hook the march the reverse speed, it you walk you stop backwards! Cigana: But where it is that it is the change? Knight: I go to mount and to help you! I leave to go up in the horse, Armelite! (He goes up. The trot starts a dance with steps.) Cigana and Cavaleiro (if they put into motion stops backwards and sing): Upa, Upa, stop backwards, Horse of march the reverse speed. If I to only trot of this skill, do not go for where I to want! (They hook. Racket of engine, that the two make with the mouth.) ' '.